Mobile DJing is an avenue that takes the meaning of gear to a whole new level. Gear doesn’t just mean a DJs controller and mixer. The term encompasses controllers, laptops, microphones, stage lights, dollies, and much more. One of the most important set of components for any mobile DJ is to have a good pair of loudspeakers. A mobile DJ will typically be an all-inclusive package so a sound system is definitely needed and it is important to understand what to look for in a sound system. DJs will have either passive or active speakers and knowing the difference between the two is a skill every mobile DJ should have. Today we will break down each type and provide the knowledge to determine where each type excels.
Depending on the venue or type of event there may be a point in the night when the DJ needs to make an announcement (or several) such as last call or birthday shoutouts. What if they forgot to bring a mic or a mic isn’t available at the club? There’s a very simple solution, use headphones as a microphone.
Many people are now carrying a wide range of gear with them on the road or in the studio, and this brings up the common question: what is the right way to set it up? All of your devices including controllers, sound-cards, and dj consoles have different power demands so it's critical to know the right and wrong way to use USB hubs when connecting them all to the computer.
It’s always exciting to get a new Traktor update and play with new features. But all too often DJ’s will go out and play shows without completely testing the latest software to make sure it's stable. Without proper testing, DJ’s may encounter bugs or glitches in their performance. The last thing any DJ wants to do is spend time troubleshooting an issue they’re completely unfamiliar with mid-performance. Luckily with Traktor it’s easy to roll back to a previous stable version of the software. Today we’ll show you how to do that.
The most valuable tool a DJ has at their disposal is their ears. Unfortunately it's also the tool that gets abused the most. This is no surprise given the environments DJ's frequently find themselves in: nightclubs, music festivals, and DJ booths with the loud monitors. Prolonged exposure in these loud settings is very hard on the ears and if a DJ isn't careful, they risk damaging the only set of ears they have. Today Ean is going to share some valuable tips that DJ's can follow to protect their hearing and continue DJing for years to come.
It was 1998 in a club called the Unit in Sheffield, UK, when I first witnessed live scratching. Like many I was transfixed. I didn’t have a clue who the DJ was, but I remember how utterly amazing the noise sounded and how the fingers would move so fast they appeared to dance around the fader often in a ‘pinching’ motion. It was bemusing, fantastic, and mysterious all rolled into one. Before the time of YouTube it took many years to understand why the hands and fingers moved the way they did. Partly by trial and error and partly by scanning a VHS tape of the 1998 DMC world championships and a Vestax Prime Cuts tutorial, I worked out that the key to it all was the ‘orbit’ scratch.
Every thursday we’ll be bringing back a helpful article from the DJTT archive. The article will be updated where necessary if any information is outdated. Whether you're just learning how to DJ or you've been DJing for years, this is a timeless article that will teach the importance of trusting the mixer levels. Originally posted by Ean Golden on May 16, 2010.
Like the tale of how a couple fell in love, a DJ's background story is always sentimental and interesting to hear. Today we're reaching out to younger DJs to show them a way they can begin DJing, practicing their skills, and even making a little bit of money. I became interested in DJing around ten years old, scoring my first MIDI controller and speakers a few years later. This allowed me to start my own mobile DJ business in high school - and in today's article, I'll share what I learned.