If you follow either DJ Shiftee or DJ Enferno on Twitter or Instagram, you are well aware of the "fued" brewing between the two DJs. DJ Enferno was claiming that "Scratching is cool but turntable only routines are relatively easy" which led to the birth of a battle staged for 11AM EST this morning to settle the beef. In reality, the fight was all staged to build up anticipation for a collaboration project between the two DJs called E.A.S.Y. This project is tailored to bring a new perspective to change how people perceive live DJing and performance. Watch the video below and read more about the paradigm shift that E.A.S.Y. is trying to make.
For the past few years Ean has been developing a style of "light controllerism" that takes his live performance routines into the improvised worlds of house and techno. 4/4 dance music is all about the groove, so this transition required new tools and performance techniques, which offer a lot of creative control but won't kill the groove. Today he shows us his full setup in the hopes that some of the tech might inspire your workflows!
Today we're featuring a brand new live remix from longform controllerism specialist Izn. Izn has taken a whole set of tracks from the San Francisco-based Dirtybird crew and built out some fantastic finger drumming routines, also incorporating a few live musicians and performers to play alongside him, including DJTT's own Ryan Dejaegher (you might have chatted with him on the Live Chat on the DJTT online store or seen one of his recent tutorials). Watch the video below and then read details from Izn after that:
Controllerism routines are not hard to find – and scratching routines are not as prevalent as the once were. DJ Shiftee, however, is no stranger to incorporating his controllerism and scratching when it comes to wild sound manipulation of unique, expressive samples. In this routine, watch how Shiftee blends turntablism and finger drumming in a short, energetic […]
Akai is launching two new controllers for Serato DJ that have a small form factor but unlock full control of the software. We've got details on the AFX, a effects and cue point focused controller, and the AMX, a two channel mixer with a soundcard.
Team Supreme is a group of producers who work on a weekly production cypher each week, with a new set of samples and rules for submissions. We were given the chance to curate their 111th week, and sent over Midi Fighter 3Ds and a soon-to-be-released Mad Zach Soundpack as the samples to start from.
Today we’re featuring three inspiring routines that show different sides of drumming-centric controllerism. Behind the routine in each of these videos are undiscovered YouTube stars that most controllerism aficionados haven’t heard of. We’re still waiting for the DMC of controllerism so that each of these performers could have a chance at winning a world championship! […]
One of our own DJTT fans and forum members Diego Leroux has built an awesome new controllerism solution for drummers who are tired of sitting down at the back of the band for the entire show. Diego shares in the video his frustrations with being a part of a band that was very mobile, wishing to instead […]