Every now and then a DJ mix comes along that simply blows us away – the song selection, mixing, and overall production impresses on all levels. Instead of just passing the mix along to our friends, we decided to do a quick interview with the artists behind these mixes and ask them about their creative process. Join us for the first “Behind The Mix” – this one features Kyle Hall and the mix he did for the Resident Advisor podcast.
Where are you currently based?
Kyle: I live in Detroit currently. The city is definitely changing; tons of IT and startups.
Is this mix a good sampling of the vibe in Detroit right now?
Kyle: It is a sampling of the music me, my friends, and younger people in Detroit are into. Younger people in Detroit are starting to appreciate that sound. There is an exciting energy bubbling up around dance music.
What DJ gear did you use on this mix?
Kyle: I used CDs, CDJs, vinyl, cassette tape, and Boss RV5 Reverb pedal. The pedal was used in stereo on the Xone 22 DJ mixer – nothing too complicated.
Kyle: Yeah it was thought out. I had a general idea of which songs I wanted to put in this mix. I added some cassette tape sounds and an automated voice to emulate the auto reverse function when listening to a cassette mix.
How did you get that great low end analogue distortion throughout?
Kyle: Overdriving the cassette helped in getting that sound [...] the entire mix was recorded to cassette tape to give it the fat fuzzy distorted sound I desired.
The mixing is notably smooth with songs truly melting into each other. How’d you achieve this?
Kyle: All of the mixing was recorded live; the songs I chose just really went well together. You have to be familiar and close to the feeling of the music to get that effect I guess.
Do you have any tips for new DJs that want to achieve a similar sound to you?
Kyle: Experiment with equipment and gear, and see what happens! It’s okay to break the rules when you are using hardware. You aren’t restricted by software. Possibilities are endless.
Your new album, “The Boat Party” also has a great analogue sound to it. Any stand out pieces of gear that played a critical role in your creativity on the album?
Kyle: The MPC-1000 was the centerpiece of the majority of the album. By far one of my favorite pieces of gear in my studio. I even put a MPC XLCD screen on it recently. I haven’t seen anyone else with it yet!
Big thanks to Kyle and Wild Oats for taking us behind the mix. Do you have an artist or mix that would be great for this series? Let us know!