Hi

I read this post two times.

I like it so much, please try
to keep posting.

Let me introduce other
material that may be good for our community.

Source:

Nightclub promoter job description

Best regards

Henry

Somewhere, somehow, some producer/DJ is making this sound GOOD.
Ean what did she play? On paper it looks kind of scary/terrible. But in some ways, it looks like it has potential.

AeeVar(LA)

He has little option as the guy cannot Dj, i dont care what any new age numpty says about it not being important to beatmatch traditionally, it is! Software locking does not do it 100% all the time nor even 80%, more offten one track needs manually nudged in time with the other(s), how do people suggest they do this if they do not know what they are listening for, or even hear that there is a discrepancy to begin with?

Building some cheesy, mainstream tainted pish on ableton is one thing but djing whether traditionally or via software and controllers is vastly different ball game, it is far easier to create one track in live, probably using pre made, perfectly synced samples than it is using complete tracks to build a decent set, where things like levels, dynamics and energy as well as timing come into consideration. My advice is for some off these overnight so called jocks to carry on doing whatever they are enjoying because at the end off the day……..they make us old skool guys with the KNOWLEDGE and the TECHNOLOGY remain on another level.

Ive been a staple floor personality in my scene for 17 years. While djing and promoting shows myself. Ive watched seasoned veterns go.. some gladly. Ive watched newcomers FAIL new comers Succeed and Newcomers take every single one of my gigs and FAIL. But Im still dancing. And everyone stands around looking at me .. trying to figure out what Im talking about.

I stopped posting my setlists about 8-10 years ago when I realized another DJ was just downloading everything I played off napster after I spent all that time and money to find those tracks.